Edinburgh, RSA, for the Edinburgh 1984 International Festival. This exhibition toured to Munich, Stadtische Galerie and Cologne, Museum Ludwig and Breda, De Beyard Centrum voor Beelkende Kunst, 1985 (illustrated in the exhibition catalogue, no. A2.21);
London, National Portrait Gallery, Pop Art Portraits, October – January 2008 (illustrated in the exhibition catalogue, no. 7);
Stuttgart, Staatsgaleri, Pop Art Portraits, February – June 2008 (illustrated in the exhibition catalogue, p. 57, no. 7);
London, Sotheby’s, Sculpture and Sculptors’ Drawings from The Ingram Collection, 10 – 21 January 2011;
Chichester, Otter Gallery, University of Chichester, Ingram Loan Exhibition, March – April 2012;
Woking, The Lightbox, The Road to Abstraction, 21 May – 24 July 2016;
London, The Sammy Ofer Centre, London Business School, London|Forward Facing, 26 September 2017 – 18 July 2018;
Sheffield, Museums Sheffield, Darkness into Light, 20 October 2018 – 13 January 2019;
London, The Sammy Ofer Centre, London Business School, Metropolis, 23 April – 30 July 2019;
London, Hazlitt Holland-Hibbert, Eduardo Paolozzi: Hollow Gods, Sculpture and Colllage 1946 – 1960, 17 October – 13 December 2019
Between 1947-49, Eduardo Paolozzi stayed in Paris and collected a vast quantity of source material for developing his collage ideas, including Time magazine covers. Those with power, fame or influence, who graced the covers of Time magazine, were subjected to Paolozzi’s cut and paste technique.
