with Desmond Coke;
Robert Alexander Bevan and by descent;
The Estate of Natalie Barclay
Exhibition History:
Colchester, Castle Museum, Festival of Britain, July 1951 (illustrated in the exhibition catalogue, no. 69);
London, Royal Academy of Arts, John Nash, September – October 1967 (illustrated in the exhibition catalogue, no. 12);
Chelmsford, Chelmsford and Essex Museum, John Nash, An Exhibition of Paintings and Drawings, April – May 1971 (illustrated in the exhibition catalogue, no. 19). This exhibition travelled to Sussex, Worthing Art Gallery, June – July 1971 (illustrated in the exhibition catalogue, no. 19);
Colchester, The Minories, The R.A. Bevan Collection from Boxted House, July – August 1975 (illustrated in the exhibition catalogue, no. 110);
Sudbury, Gainsborough’s House, The Bevan Collection, August 1978 (illustrated in the exhibition catalogue, no. 8);
Colchester, The Minories, John Nash Memorial Exhibition, January – February 1979;
London, Spink & Son, John Nash: “The Delighted Eye” (book launch), November 1993;
Edinburgh, National Gallery of Modern Art, From Sickert to Gertler: Modern British Art from Boxted House, March – June 2005;
Bristol, Royal West of England Academy, Drawing On, 21 March – 7 June 2015;
London, Business Design Centre, London Art Fair Museum Partner, Ten Years – A Century of Art, 18 – 22 January 2017;
Woking, The Lightbox, John Minton and the Romantic Tradition, 28 January 2017 – 9 March 2017;
Kendal, Abbot Hall Art Gallery, Land | Sea | Life: A British Art Collection, 20 October 2017 – 17 February 2018;
Eastbourne, Towner Art Gallery, John Nash: The Landscape of Love and Solace, 18 May – 26 September 2021, touring to Compton Verney, Warwickshire, 23 October 2021 – 2 January 2022
Literature:
Allen Freer, John Nash, The Delighted Eye, Aldershot, 1993 (illustrated, p. 91)
